about me

 

I'm a Seattle native and when I was born my parents
 
lived in High Point housing project. Later they moved to 

Wallingford, a neighborhood farther north with far fewer
 
kids. Being a lonely kid, I began to invent and draw my own

imaginary friends. It was an activity that kept me from 

feeling alone and yet wonderfully alone. As I grew older 

and accumulated real friends, I began to draw them as 

well. I've always centered my imagery on people or 

animals possibly for that reason.


Like most artists at an early age I fell in love with the Impressionists. Not only did I 

love what they did, but I loved the romance of their life styles. I had dreams of moving 

to a tropical island and spending my days painting native women, like Paul Gaugin. 

Getting married and having a family at the age of eighteen changed all that. I spent 

the next six years working blue collar and and providing for my family. All the while 

taking full advantage the intermittent layoffs to draw and paint.

 

I finally got the chance to go to art school and 

eventually was able to start a career as an illustrator. 

I did commercial work and editorial work for 

magazines such as The New Yorker 

and Guitar World. It was close to doing exactly 

what I wanted and fun, but still my the impetus 

was not my own. With illustration you're 

commissioned to do a picture in a style that 

you are known for. And often you are working 

from an art director's sketch. You are primarily

 asked to bring your known style and not much 

else. Editorial assignments usually give you a 

 

lot more room, but you are headed into deep 

waters if you change your look too much. The real 

problem is that you are working to a look that is 

expected and not from inspiration that might take 

on a new look.

Eventually, in search of a steady pay check, I took a 

job as an art director and worked for a number of 

advertising agencies. I found myself often doodling 

during those all important client meetings more and 

more. As time went on I realized that these doodles 

could become fully realized pictures. Then after 

 
creating some signage, I toyed with the idea 

of painting on wood. Not only did I realize that 

it had a quality that I could sand, paint back 

into to add dimension, but I could layer my 

thoughts. Also, knowing it goes against 

all accepted ascetic principle I  decided 

to make the frame a part of the statement. 

 

Now after having left advertising, I'm able to devote all 

my time to expressing my thoughts, emotions and 

comments into a visual form that keeps continually 

evolving. It is my intension to keep the conversation 

between my head, heart and hand to go on and on.

 

 

2 comments | Post comment

Hi John, I remember that little kid in Wallingford who I met in his sister's, Judy's, basement, and behind a drawing board at KCM. Oh the pains young artists, and writers, go through. Pat K
-- Pat Kennedy, 6/25/11

very evocative work ... thanks for sharing your transitions
-- Kathleen, 6/8/10


 john c smithSeattle, WA206 234 2973
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