Unlike other forms of printmaking, which result in multiple copies of a single image, a monotype is a unique, one-of-a-kind print.   The artist paints and draws directly onto a plate, often plexiglass, and then transfers the paint or ink onto paper by running the plate and moistened paper through a press or by applying pressure by hand.

Monotype is considered to be the most painterly of printmaking processes because of the direct and spontaneous way the ink or paint is applied and removed.  Although it is a relatively quick process as compared to painting on canvas, the artist needs to use all their painting and drawing skills -- once the plate is run through the press, there can be no corrections.  The artist also needs to be able to understand how the ink will behave and correctly judge and adjust the thickness and wetness of the ink and pressure of the press.

Hand pulled monotypes have a special texture and transparency that make them unique from direct painting.  Colors are especially light-filled and vivid and beautiful layering affects can be achieved.  A freshness of color and gesture make the monotype particularly appealing to many artists and collectors.

Pamela Michaelis, founder of The Collector's Guide (http://www.collectorsguide.com/fa/fa042.shtml) has written a concise explanation of monotypes and describes the difference between monotypes and monoprints, as well as their relative value as compared to mass-produced prints and paintings on canvas or paper.