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My paintings typically combine various media, such as encaustic,
enamel, gouache and ink, with unconventional techniques and surfaces.
Many works represent spontaneous unconscious expressions.
They often are "accidents" that blend movement with chance, at times
permitting color itself to be the subject. While some abstractions
suggest a mood, most are unemotional. Finished works commonly are
atonable transformations of earlier paint layers and textures that have
been deliberately altered (cut/scraped/torn/bent/heated) in random
fashion,thereby negating or diminishing prior formal relationships.
(Inspired by color of Chagall and Franz Marc, images of Dubuffet, and
action of Pollock)
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