ABSTRACT SOCIAL REALISM
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Abstract Social Realism (A.S.R.) is an extension of the work I did on the public surfaces of NYC as an Aerosol Writer, and member of the pioneering generation / 'Original School' of Writin' in NYC. Said generation was active from 1969 until about 1973. I was active in this cultural movement from 1970, until my semi-retirement from public surfaces in 1975.
The need for originality and the social conciousness themes around which most of my early work on the sides of NYC subways and other public surfaces revolved, were the foundations for Abstract Social Realism. I have always felt that my work shouldn't have to be someone else's version of what I should be painting about.
Upon my "semi-retirement" from public surfaces, I gave a lot of thought to what the name of my style of painting should be. After over a decade of experimenting, in 1988, the name "Abstract Social Realism" came to mind. This, as a result of my love for the "abstract" in art, as well as my passion for the "social reality" that surrounds us all which is the motivation for my work.
Abstract Social Realism's main idea is to challenge the viewer who observes a work, to really reflect on the work he/she is in front of, and to understand and accept, or not accept the work's true meaning.
A.S.R. is much more than just paintings, prints and sculptures. It is an attempt by the artist to expose society to society.
A.S.R. is art about the soul. The human condition of society. A "dialogue" with the self. Whether the viewer agrees or not with the idea of a given work is not the issue. It's the emotional result caused inside the viewer's conscience upon experiencing the work that's at issue.
Everyday, as members of our society, we face experiences that prepare us for the next experience. We then make our decisions.
Many people have asked me how can a work be "abstract" and "real" at the same time. My answer has always been very simple: "social" is in between "abstract" and "real." Thus, "Social" is the glue that holds "abstract" and "realism" together.
Abstract Social Realism truly allows the artist an opportunity to experiment with an original idea while at the same time, making an impact statement to society about that idea or theme.
"Colorful Curves" (1986-88) was the first work of the original series of works that make up Abstract Social Realism.
MICO ~as~ LATIN PRIDE!
