art works
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 | | In this new phase I abolish the colors. Ever some time I felt the need not to use color in my work. Then I used black, white and therefore gray to compose and to give shape to the works of this new phase.
I then make faces. |
 | | A pictorial look over some imaginary real situations. "Love's energy": Everything in universe is energy. When we are thinking or feeling, we are producing energy. |
 | | A plastic conception about the fires in the Brazil. This work is based on the aerial view of the fires. The demarcation of the territories form the flag of Brazil.
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 | | 5 items |
 | | 15 items |
 | | Landscapes that are not copied or reproduced, but created. That is the reason for the name. When I was preparing the background of my paintings, I noticed that the blotches seemed to have shapes of mountains, trees and clouds. |
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 | | Panel made in honor of Lia Brill, ex girlfriend killed by a cocaine overdose in January 2006, in Goiânia city, Brazil. |
 | | Series of paintings produced after the undergraduate degree in Visual Arts, enabling painting.
The main idea of this work is to mix elements of rock art, such as bulls, antelope, bison, humans geometrical figures with elements of modern art, such as geometric shapes, abstract backgrounds and other elements. |
 | | My early professional paintings. They were developed in the last year of undergraduate course in Visual Arts (1991).
This work is a mix of painting and installation. |
 | | 36 items |
 | | Urban interference accomplished in the Goiânia city, Brazil, in October of 1993, for the first Biennal of Uncommon Art. This work consists of the displacement of a warning traffic signal: “Danger! Animals on the Track” from a rural zone to inside of urban perimeter. The sign, taken from its naturall area and placed in the urban center, reflects a subjectivity that supplants its original intention of objective representation of a sign of traffic. |
 | | Appropriation made in 1993, as critics of the Brazilian political system. Since its discovery to the present day, what we see in Brazil is: public administrators eroding the country's wealth through nefarious acts of corruption, while the majority of its population lives in poverty, without education, health and safety. |
 | | There are numerous micro universes within this our macro universe. They are invisible to our eyes, but they are present and real. At the time that science expands, it goes revealing us the wonders that exist in nature and not previously perceived. |
 | | Following the similar path from some North American minimal artists, such as: Frank Stella, Richard Smith, Donald Judd, Sam Gilliam, Kenneth Noland, Jules Olitski, Ellsworth Kelly, among others; as also from some Brazilian neo-concretes: Almicar de Castro, Lígia Clark, Lígia Pape and Ferreira Gullar among others, in the 60' broke with the traditional support (two-dimensional plane), due to the patent exhaustion of the expressiveness of the visual images/shapes, result of a reduceonism sacrificial, and... |
 | | I make art to express my thoughts and feelings not to decorate environments. So, I wanted to formalize this feeling of dissatisfaction between the "artwork" with the consumer society, producing a series of works titled "Waste Objects".
I wanted to make a work that did not serve to decorate apartments. So I gathered scraps of building materials, industrial waste and scrap materials to make the sculptures, objects and installations of this series.
The work of art reflects the soul of its author. |
 | | A pictorial look over the capital of Brazil: Brasília. Through a mix of drawing and painting I searched to conceive plastically some aspects of the city, since its urbanism and architecture, scenes of everyday life, as also, its social aspect. |
 | | It is the term used to name the idea of a new urban design. It came up with the intention to solve some urban problems, such as the traffic and spatial distribution.
This urban design resembles a bit with the design of Brasilia, as regards the separation of commercial, residential, industrial and leisure, the boldness of the junction of art and architecture and organization of traffic ways.
While Brasilia was planned in the form of a plane, my "imagined city" was based on the form of a computer board,... |
 | | Architectural ideas for the residential module of the Imagined City. |
 | | Ibere Camargo, famous brazilian visual artist, said one time that some people had that born without head. I think that the human heads should be planted in the solo of knowledge, wisdom and goodness, thus they can grow in the God's direction and so, give good fruits for the world.
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 | | Despite the ambiguity of the title, this work deals with shapes found in the outside world (in the streets, walls, projection of shadows, in the human body, nature, etc.), and through of my glance, they were then perceived, due to its expressiveness, and then transported to the two-dimensional plane, where I present them in the form of minimal geometric drawings. |
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Goiania, Goiás
Brazil
| ERICK BANDEIRA is a multimedia artist (visual artist and guitarist), guitar and art teacher, historian, researcher and cultural promoter. Born Erick Luiz Freire Bandeira in 1969, in the city of Goiania, capital of the State of Goias - Brazil. He is graduate in Fine Arts by Federal University from Goias (UFG 1987-1991) and is a member of Visual Artists Association from Goias. Considered one of the most talented artists of the State, he has been producing since 1990, exposing and developing research in the areas of art and music.
He has produced over 500 art works including paintings, drawings, objects, installations, architectural projects, videos, photographs and musical compositions. He has participated in several group exhibitions and held over 20 solo exhibitions, in Goiania, Brasilia and Sao Paulo. Since 1993 he teaches drawing, painting and art history. In parallel the activity of visual artist, he is musician (guitarist), songwriter and electric guitar teacher. Since 1996 he teaches electric guitar... |
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"I define my work as modern and contemporary, eclectic (by not to be located at a single artistic school) and I have as basis for the achievement of my art works, the life experience and experimental art". Erick Bandeira “My work is based on the conviction that abstract art does not exist. To me, art was, is and will always be a figuration. |
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