TOWED

TOWED
TOWED

$950

40" x 30" acrylics on board

The adventures of my youth and growing up in the little town of Ashland, Massachusetts. Ashland is about 27 miles west, as the crow flies, from Boston. Much of my childhood was spent being shuttled between both. Running in the woods of Ashland, and visiting relatives in the inner city of Boston. I have fond memories of both. I have not so fond memories of both as well. Like a long -time friend that you know everything about and have seen them at their best and at their worst but still regard them as friend. For me, it is better not to revisit, not to renew, in the hopes that these childhood impressions and memories will stay preserved, unaltered, since I hold them so precious.

I grew up in the days when there were such names to towns along Route 9 to Ashland as, Natick, Framingham, Newton, Norumbega, Sherborn, Dover, and Waltham. Today those names are relegated to the footnotes of historical records buried away in the archives of courthouse basements or on obsolete maps long ago replaced on library walls. Today whole handfuls of communities have been rechristen by some city planners and architects who only know Boston as a place to draw a paycheck, a place that means little to them except employment, as "Metro-West", as if it is part of some poorly scripted Batman movie sequel. I can hardly take it, going back, seeing and hearing what has been done to the places I once loved. The population and spirit of that place has changed too, in my opinion, not for the better. Every thing changes, nothing remains the same. "You can never go home again." If I may misquote Thomas Wolfe; and for the same reason he said it.



Back to the painting. The house I was raised in was located near the border of Holliston and Ashland. In those days I attended the Fruit Street School that was so named for obvious reason and is located a short walk from our house. On hot summer days I could walk with my German Shepherd to the end of Elliot Street into Waseca Farm orchard to the rocky shores of a deep watered lake called the Ashland Reservoir. My dog and I were so free back then. There were no no-trespassing signs or fences and gates with locks. The shoreline was wooded and had free access by a well trodden path. I would set my towel down on a large rock and my dog and I would jump in and swim. Then after an afternoon of swimming we would walk home but not before gorging on peaches and pears from the orchard. I was free and without a care in those days and little mattered outside of my world.

It was often during these swims I would grab ahold of my dog's tail and he would tow me around the lake in the deep open water. My dog was a much stronger swimmer than I. From the open water looking due north one could see only the earthed dam causeway and pumphouse against the blue horizon. From the causeway, far below was the Greek revival Ashland square and downtown if you could call it such, with its white pillared townhall, andwhite peaked church steeple of the Federated church, for we had too small a population for the individual protestant denominations. Also there was a very old red bricked hotel which housed a news stand. There was also a small stone building masquerading as a public library, various banks, an old train station for the railroad tracks bisected the town and would hold up frustrated car commuters for sometimes fifteen minutes. These images are indelibly set in my brain and I will take them to wherever I travel and whenever I am put to rest. They will always forever be a part of me.


Many years later, after having returned home from college, I decided it would be nice to walk to that lake, not for a swim, but just a hike on that path leading around the lake to the causeway. It was on that path that I encountered a state park ranger who informed me that I was to turn back for the rocky shore was too dangerous, and that swimming was definitely not allowed there. It occurred to me that I had more rights as a grade school kid in Massachusetts than I had as an adult.  No, Thomas Wolfe was right, you can't go home again.


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art American landscape painter portraits Boston Pittsburgh nature transportation energy acrylics oils watercolors modern impressionism abstract brilliant colors flowers garden impasto original 

 Peter J Hatgelakas • Pittsburgh, PA
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