https://shopvida.com/collections/edie-cohn
Studio/Gallery
Address:
Golden Belt Campus, Studio 11
800 S Taylor Street, Durham NC 27701
EXHIBITS-RECENT
Wausau Museum of Contemporary Art, 3rd Annual National Juried Exhibition, Juror: John Dalton, Internationally famous Irish artist—podcast ‘Gently does it”, Oct 2019
SOHO20, “Out of Our Minds”,
(SOHO20 is a co-op feminist organization that has been active in NYC since the early 70s), National
Affiliate Member, NYC, June 2019
SOHO20, “The Story I Tell Myself”, National
Affiliate Member, NYC, June 2018
The Carrack Modern
Art, “Center/Gallery: Feminist Legacy, Feminist Future”, (C/G is a co-op feminist org that was active in CH and
Carrboro from 1977-84), Durham NC, Mar 2015
The Carrack
Modern Art, “R.E.C.A.P.”, celebration of their 2015 season, Durham NC, Oct 2015
Durham Art Guild, “Face-to-Face”, Juried Portraiture Exhibition, juror: Beverly
McIver,
SunTrust Endowed Chair
Professor of Art at NCCU, Durham NC, Mar 2014
Durham
Art Guild, 59th Annual Juried
Art Show, juror: Edie Carpenter, Director of the Curatorial and Artists
Programs at Greenhill, Greensboro NC, Durham NC, Oct 2013
Private
Home: Melissa Soloman, “Creating Julie—Meet the Artists”, Durham NC, April 2013
Skylight
Gallery, “Now and Then, A Reunion: Center/Gallery & Friends”
Hillsborough NC, April 2013
Chamber
Arts, “That Which I Love”, juror: Lyric
Montgomery Kinard—recipient of the International
Association of Professional Quilters 2011 Teacher of the Year,
Cary NC, June
2012
Durham Art Guild, 57th
Annual Juried Art Show, juror: Linda Johnson Dougherty of the NC Museum of Art,
Durham NC, Dec 2011
Exotique Gallery, Durham NC, Oct 2011
Gallery 110, “Generating Art—the Steudel
Family”, Plymouth WI, Aug 2011
Seymour Center, “Strength of Character”,
Chapel Hill NC, Nov 2010
Pop’s Restaurant, An Ongoing Exhibit of Travel
and Animal Paintings--plus The Homeless
People Exhibit:
“A Life Worth Mentioning.. . .” Durham NC, 2010-2014
EXHIBITS-PREVIOUS SOLO EXHIBITS
The Women’s Center, “The Homeless People
Project” UNC, Chapel Hill NC, 2002
Durham County Library, “Through Our Eyes,
A Community Explores Homelessness”
Durham NC, 2001
Gallery 110 North, “The Homeless People
Project” Plymouth WI, 1999
Carolina Friends School, “The Homeless
People Project” Durham NC, 1997
Louisburg College, “The Homeless People Project” Louisburg NC,1996
Durham Art Guild Gallery, “Edie
Cohn-Retrospective” Durham NC, 1996
Community Shelter for H.O.P.E., “The Homeless
People Project” Durham NC, 1992-current
Carolina Union Galleries, University of North
Carolina, Chapel Hill NC, 1985
The ArtsCenter, “Strength of Character”
Carrboro NC, 1985
Durham Art Guild Gallery, “Hidden Corners:
Portraits in Charcoal” Durham NC, 1983
ARTIST RESIDENCIES
Raghurajpur International Art/Culture Exchange, Raghurajpur, India,
For five week I resided in the tiny Heritage Crafts Village of Raghurajpur, learning the ancient arts of Pattachitra (5th century, BC), papier mache masks, cow dung animal sculptures, palm leaf etched drawings, and Pattachitra silk paintings.
SOHO20
Gallery, a NYC feminist women’s art cooperative, founded in1973, National
Affiliate Member, 2018-Current
Center/Gallery,
1981-83, 2013-15 (Center/Gallery was a non-profit artist
exhibition space, funded by NC Arts council, NEA, and special art projects
serving women artists and the NC Community between 1977-84. Following 1984
Center/ Gallery has continued to promote and sponsor art exhibits and public
art projects that support feminism/womanism/humanism. Center/Gallery is
included in the Feminist Art Spaces Archives at Rutgers University)
Portrait Society of America, 2010-13
Durham Art Guild, 2010-current
GRANTS
North Carolina Humanities Council, 2001
Durham Arts Council Season Grant, 1996
Durham Arts Council Mini Grant, 1993
LECTURES/WORKSHOPS/CLASSES
Kalinga College of Art, (lecture) Bhubaneswar, India, 2020
Raghurajpur International Art/Culture Exchange, Raghurajpur, India, 2020
The Women’s Center, “The Homeless People
Project” (lecture) UNC, Chapel Hill NC, 2002
Durham County Library, Community
Conversations (panels),“Homeless People Tell Their Stories”; “A
Community Explores Homelessness”; and “An Artist Shares the Stories of Homeless
People”, Fall 2001
The
Center for Documentary Studies-Connect Project, TROSA (drug rehab center), “Portraiture” (drawing/writing—adults), Durham
NC, 1997-2000
Gallery 110 North, “Portraiture Workshop”
(drawing—adults), Plymouth WI, June 1999
Carolina Friends School, “Portraiture”
(drawing—high school), Artist-in-Residency Program,
Durham NC, 1997
Documentary Studies Brown Bag Lunch,
“Through my Eyes, an artist explores the homeless in
her community” (lecture), Duke University, Durham NC, 1997
Carolina Friends School,
“Nursing Home Portrait/Oral History Project” (middle & high
school), Artist-in-Residency Program, Durham NC, Spring 1997
PUBLICATIONS & MEDIA
EXPOSURE
Carrboro
Citizen
(front page), “Portrait of a mystery”
Nov 24, 2010
Chapel
Hill News,
“Artist seeks relatives of long, lost subjects” Nov 13, 2010
WUNC
Public Radio—Morning Edition: “Edie Cohn and The Homeless People
Project”, Amy Nelson (producer), Chapel
Hill NC, 2002
North
Carolina Humanities Council, NC Crossroads, “A Life Worth Mentioning”,
http://www.nchumanities.org/publications/crossroads/xrd0302.pdf,
March 2002
North
Carolina Humanities Council publication “NO CALL FOR PITY, Candid Views ofHomeless and Formerly Homeless
People” writer/artist Edie Cohn, 2001
Durham
Herald-Sun (Sunday,
front page), “Art draws upon changing lives” Durham NC, 2001
Yahoo!
Internet Life
magazine, “A Voice from the Streets” Oct 1999
WTVD-11,“Making
A Difference: Documentary on Artist Edie Cohn” Ervin Hester (producer), Durham
NC, 1993
Independent
Weekly
(cover story),“Hoping Against Hope: The Homeless People Project” Durham NC,
July 21-27 1993
Raleigh
News & Observer, “Artists uncover strength in faces of senior citizens”
Aug 9, 1985
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MURALS AND COMMUNITY ART:
THE
HOMELESS PEOPLE PROJECT
In the early 90s I went to the Community
Shelter for H.O.P.E. in downtown Durham in order to draw and interview homeless
residents. I did that every Thursday for 3 years. I would pay each individual
$5 for posing and another $5 for allowing me to interview them. I also gave
them an 11 x 17” print of their finished portrait—protected in plastic; to
survive shelter life. I also received a few small grants from the Durham Arts
Council to help offset the cost of framing a traveling exhibit. Also during
that time I had numerous solo shows in the area and gave talks at local universities,
colleges and schools about the project.
In 2001 I got a major grant from the North
Carolina Humanities Council to find the people I had drawn 10 years earlier. I did not
find many, but four people were willing to be re-interviewed and re-drawn--all
of them were no longer homeless. During this time I had scholars working with
me from UNC’s Oral History Department and from the Duke Center for Documentary
Studies. Through an exhibit at the Durham County Library and 3 community
forums, we brought the topic of homelessness to the front burner in Durham.
http://www.zhibit.org/ediecohn/homeless-project/no-call-for-pity
THE
DURHAM FOOD CO-OP MURAL (now called The Cookery)
15 x 21’ outdoor mural--1104½ W. Chapel
Hill Street, Durham NC, 1993
In the early 1990s the Durham Food Co-op
moved into the economically struggling West End Neighborhood. I volunteered to
paint a mural that would reflect the co-op’s mission: to build bonds of
solidarity across racial and class boundaries while providing quality food for
their members and the surrounding community. The mural was of a farmers market,
populated by a diverse group of people—all working together, On the day of the
mural dedication speakers from the community spoke eloquently of the building‘s
history in the Civil Rights days and its importance to the community. And,
although the Durham Food Co-op has now shut its doors, the mural continues to
be a source of pride for the entire West End neighborhood.
CHARCOAL
BABY PORTRAITS
In
1983 I brought my drawing supplies to the hospital as I anticipated the birth
of my daughter Rachel. I ended up with an emergency C-section, but my
determination to draw her did not diminish, and even though I would fall asleep
as I ate my lunch, I managed to draw her on her second day of life. The
response of the staff, nurses, and doctors to the charcoal portrait was overwhelmingly
positive; so I thought to myself, "Hey, perhaps some day I can earn money
as an artist with a baby portrait service at Durham Regional
Hospital." Four years later I
approached the hospital and became a "concessionaire" for them.
Starting in 1988, on two days a week I went into the hospital and sketched
babies, and after twelve years I had drawn over 3,200 portraits! In fact, I
still do them on occasion for mothers who have new babies and want a picture to
match their first one, or who hear about me by word-of-mouth or by seeing a
framed baby drawing on a friend's wall.
SENIOR CITIZENS PROJECT
In the early 1980s I was the moderator for life drawing classes at the Carrboro ArtsCenter. I often invited senior citizens from the Meet Your Neighbor Club, which shared the space with us at the center, to pose for the class instead of hiring traditional nude models. Over the course of 5 years I did over 80 drawings of seniors, and they were the subject of my first solo shows at the Durham Art Guild and the Carrboro ArtsCenter in the mid 1980s.
In 2010, 25 to 30 years later, I set out to find homes for the drawings that I had kept safe in a box for all those years. With the help of friends, lots of publicity, and an exhibit at the Seymour Center (Carrboro and Chapel Hill’s current Senior Center) I was able not only to find the families of over 80% of the portraits, but also able to give to them the drawings of their loved ones right before Christmas.