|  | | Chameleon Identities
Chameleon Identities
“This work follows the transformation of a “chameleon”
subject within a collaged panoramic image to investigate concepts on identity,
plurality, metamorphosis, time, ability of change and the forming of
boundaries. As the figure travels between locations it alters its outward expression, forming a different identity depending on its environment. The image can be viewed as an urban landscape from a distance or at close inspection reveals the details of the chameleon transformation within it.”
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 | | Shifting Aspects
Shifting Aspects
“Transformation and identity are
key concepts that inhabit my current art making. This work aims to explore the
multiple ways gender may be expressed within the one individual in a form which
suggests movement and the ability of change. The structure itself is comprised
of a series of blocks, one placed on top of the other, which are arranged in a
spiral formation. Upon the two widest sides of each block is part of an image.
If all the blocks were stacked evenly, the image segments would come together
to appear as a figure on each side. These two figures, which are both the same
person, exhibit binary gender expressions. These could be considered as one
more masculine and one more feminine. The twisted configuration of the blocks,
however, distorts these images so that aspects of both sides are viewed
together as a hybrid character. This ability of movement that the blocks have,
suggest the possibility of new variations of subjectivity that could be formed,
visualised and embodied. The blending of mediums, photography and sculpture,
also lends to this concept of the hybrid identity. The use of photography
alludes to the use of the image as a form of social representation and
construction. The use of sculpture however, allows for a different kind of
interaction between art object and viewer. The scale of the sculpture as larger
than life size allows for an element of power and presence, that which the socially
constructed image holds. The placement of the sculpture effects the reception
of that object. The relationship between location and social expression is then
investigated, with the notion of the deliberate choice of self-expression
depending upon the speculated reception from others at a particular location or
to particular social groups. Perspective plays an important role in this work as
the viewer’s position dictates what aspects of the twisted images are seen.
This visual technique conceptually refers to the multiple perspectives of the
self and the varied approaches towards gender that have been developed and
adopted. With segmented characters and shifting block constructions this work
seeks to explore the changing social representations of gender and the varied
possibilities of expression for the individual.” Jessica Sanders, 2013.
|
 | | Dreamscape
Dreamscape
“The world of dreaming can be an uncanny and mysterious
place within our minds. In this series of panoramas I aim to replicate such a
place by manipulating the landscape into a dream-like environment. By using
cross-processing, unnatural colours and high contrast are produced in the
image, creating an atmospheric appearance. The image itself is a series of
analogue photographs which have been shot in succession, then have been scanned
in and digitally collaged together. This has enabled multiple perspectives to
be placed together, further removing the reality of the actual location. The
first work of this series “Dreamscape” has several other photographs added to
the landscape. These are childhood photographs which I use to symbolise and
possibly act as a trigger for memories of the past. By placing them in the
dream scene I suggest that we may access our memories through dreaming. The
other three images in the series focus more on the beauty and power of the
natural environment. Most constructions such as buildings and vehicles have
been digitally removed within the images so that the rawness of the nature and
the lack of human presence allow the viewer to feel isolated and unnerved. This
display of the natural environment, as well as the use of large scale in its
presentation, also alludes to the concept of the sublime.” Jessica Sanders,
2003.
|
 | | Coastal Grains
Coastal Grains
“In this work I seek to present an
alternative representation of the traditional landscape. Rather than one
continuous image, the environment is dissected into several close-up images.
These are presented altogether, so that as a whole they form a gestalt of the
location. By having a more intimate perspective in each individual image, I
intend for the viewer to perceive the essence of the environment. My aim to
represent the landscape with more realism is a shift from the dream-like
panoramas I have created previously. For this reason I have also chosen not to alter
the photographs with cross processing or digital manipulation which have been
key techniques I have used in the past.” Jessica Sanders 2011
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 | | Back When
Back When "In this work I have used childhood toys to revisit my
past. The use of black and white film creates a feeling of nostalgia, while the
low to ground perspective recreates the viewpoint of a child.” Jessica Sanders,
2007.
|
 | | City
City
"This work documents some of the sites of the
city, playing with different perspectives and close-up details.” Jessica
Sanders, 2009.
|
 | | Pieces of a Dream
Pieces of a Dream
"This series of work began my interest with
dreaming and my experimentation to re-create the mysterious and strange images
that we experience through sleep. The acute cropping only allows the viewer to
see part of the subject, creating intrigue and possibly fear as to what is obscured.
With this, my use of cross processing allows the colour within the images to
appear abnormal, further creating an effect of the uncanny. It is through these
images that lead me to develop the series “Dreamscape”. Jessica Sanders, 2013.
|
 | | Repetition in Nature
Repetition in Nature “These
works explore my fascination with the mathematical replication of form within
the natural world. I began by studying images of fractals, however as I did not
wish to use computer generated images, I then studied live botanic specimens to
find examples of self-similarity.” Jessica Sanders, 2010. |
 | | Light and the Journey Through Space
Light and the Journey Through Space “Working
with the topic “space”, this artwork alludes to the idea of outer space travel
and science fiction projections of other intelligent life. I began by
experimenting with the way light appears to travel through physical space as it
is captured on film. Using a long shutter speed, patterns are created as the camera
is moved over a single light source in a darkened room. This pattern acts as a
record of the camera’s movement and some of the images that are produced seem
to have an alien like appearance.” Jessica Sanders, 2002. |
 | | Fabric Manipulations
Fabric Manipulations
“This work is an experimental piece,
playing with the shape and movement of fabric and the body. By viewing the
images in inverted colour, the subjects become abstract. Some of the non-living
forms then become corporal in appearance aided by the hue and saturation of
their new colouring. The body subsequently blends into the curves and creases
of the fabric.” Jessica Sanders, 2013.
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