Excerpts
of an essay on artist Celeste’s work by Dr. Moyo Okediji.June 2012
Celeste
employs the visual arts to identify, eulogize, and illuminate the wildlife of
Africa. As a South African artist resident in Nigeria, she draws on the abundant
variety of flora and fauna of Africa, as well as from figurative styles in the
Western classical traditions of realism. Her combination of these various
sources enables her to celebrate the wildlife of the continent in a refreshing
and stimulating portfolio that projects her unique talent for keen observation
and visual imagination.
Celeste’s
drawings and paintings clearly convey her close studies and understanding of
the wild life in Africa. The studies are so true to life that they transcend
the materials with which the artist works, and appear to live a life
independent of the medium. In Celeste’s hand, the flora and fauna of Africa
enjoy a vivid rendition that is so convincing to the viewer that they transport
the mind from the immediate moment, to a universal location within the African
landscape. In this terrain of luscious imagination, Celeste releases the
character of her subject by conveying the essence of their being, in a manner
that transcends the precision of a photographic rendition.
But
despite the wealth of talent and technical proficiency that go into the making
of great camera works, there remains an artificial residue of the mechanical
constrains imposed by the complexity of the technological processing.
As
drawings and paintings, Celeste’s work is different from the craft of camera
operations. It operates on the same level as the wildlife on which it draws.
She displays in her work the same vulnerability and risk-taking as the wildcat
venturing out of her cave to enjoy the abundance of blessings that nature
offers in infinite measures and volumes. The freshness of nature, like the
fragility of the morning dew on a blade of grass, eludes reproduction as a
factual reality. It is an experience that the human imagination conveys from an
empathetic sensibility that grows on actual experience.
Celeste
becomes one with nature by understanding, enjoying, and sharing glimpses of
wildlife from a psychological disposition that is pleasurable.
The
risk-taking underling her lively philosophy engages both physiological and
psychological endeavours. The physiological aspect is visceral, not an
intellectual force, but an inward experience of reality that comes from
tactile, visual, olfactory, and other forms of somatic concentrations.
It
is on this drama that Celeste finds the balance of her draftsmanship with
psychological and emotive elegance. The gaze of an artist drawing from nature
is mediated by emotional undertones that humanize the technical demands of the
medium of expression. This mediation is further tempered by the psychological
disposition of the artist who is handing the medium. The individualism that
Celeste reveals in the work is a product of a sensibility emanating from
specific cultural practice, memory, influences, and personal preferences
located in the collective experience.
Her
drawings and paintings respect the laws of the monocular vision that has
nurtured western art since the antiquity of Hellenistic art. Celeste borrows
the tool of the monocular vision from the Roman culture and employs it within
the folkloristic possibilities of African romanticism. The result crosses the
attitude of keen observation with the latitude of inventive imagination.
Celeste
invites us to save and accentuate the humanistic aspects of our civilization,
to get wild about life. It is in our interest to listen to her, to enjoy her
art, and, while we still may, to celebrate life.