In the studio

Platters drying in the studio
It seems there is not enough hours in the day to do everything one would like to accomplish. Ha ha.  Here are a couple of recent photos of pottery in progress in my studio.  The platters, once thrown and decorated, need to dry for some time before they can be flipped to add the serial number and signature.  I use cloths to control the speed of the drying so that they dry more evenly to avoid warpage.

 

 

Asian vases drying on the rack
Normally I avoid production pottery, trying to impart each piece with a style/soul all its own.  I've since rethought that philosophy in regards to the Asian vases, since I make so many of them.  I still vary the glazing on them so that one could still call them all unique, but as you see in this photo, I'm starting to make more of them at a time for efficiency's sake.

Pulled handles waiting to be used
I pulled some handles for a few pitchers I made.  The photo shows them resting to stiffen up before being attached to the pots.  Pulling the handles takes a bit of time, but I think the feel of the results is worth the effort.  I think the pulled handle feels more natural and comfortable to use than the standard flat slab handle.  Personal preference, of course. :D

Time to get back to the studio.  I have a glaze kiln firing now.  I was told by the power company that they would like to shut off the power one pole down to make a repair there in a few hours.  Of course, they tell me this after I've already fired up my kiln.  Ouch!  So I'm not sure how much it will affect the load... am hoping that when the power comes back on, that it will catch back up and still fire the glazes correctly.  I'm glad I put a cone pack in the kiln when I loaded it... it might help me tell what is happening in this unusual firing.

Carl

 


Be the first to post a comment.



Previously published:

No shows scheduled



RSS |