New work, old work and new things to come

12/6/12

Glenn Beasley fine art
In my galleries under children's portraits you will find two images of Ben, a painting and drawing.  Ben left this life much too soon after only 14 months in this world.  I was given the honor to draw and paint his image for members of his family which I pray have given them some degree of comfort from his passing. As it turned out I had a request to do a second drawing using the same image I had used for the first one.  It was at times a curious feeling to 'copy' my own work as it turned out.  In most portraits I rarely use anything from the background of the reference photo. The background in both drawings was simply made up to show Ben running in a sunlit field without a great deal of distraction from his image.  Deciding whether to use the same background theme or give into the urge to create something new puzzled me for a while but in the end I decided to use basically the same theme. It was a new experience for me to actually go back and use my own previous work as a reference piece. I couldn't help but laugh to myself a bit. Btw, the image in this blog is the new drawing. You can compare it to the original in the gallery section.

Another new experience for me is a self-portrait.  For 2 years I have been asked when I was going to get around to it and I always put it off.  I have resisted it long enough and the motivation now is to try something a bit different than the portraits I have painted for my clients.  In most cases it was quite obvious the reference material was taken with the on camera flash or the lighting was always the same bland look that is so devoid of any creative shadows.  So now I won’t have anyone to blame but myself if I don’t like it!

As the New Year draws closer I am itching to dive into floral paintings. Karen does fabulous colored pencil and graphite drawings of irises and other floral subjects, but since she is still working her day job her time is limited. Hopefully, she will get a chance to publish her website soon. In the meantime, I plan on using some of her lovely photos of her flowers in her garden for subject matter.

And finally, landscapes.  We visited Crystal Bridges Museum twice, the last time during and exhibit of the Hudson River School works. As you can imagine, I have been dying to try my hand again at landscapes ever since. It has been over ten years since my last landscape work. (Due to my day job I did no artwork from '05 to '10 when I met Karen. Her encouragement  brought me back to art.) Hopefully in a couple of months I will have one on the easel. Btw, if you are within driving distance or you happen to be passing through northwest Arkansas, you should visit Crystal Bridges Museum located in Bentonville, Arkansas.  Each time we have visited we exhausted ourselves before we exhausted all the possibilities of the museum. Everything about it is top shelf and first class and you owe it to yourself to pay a visit. There is literally something there for everyone from classical to modern abstract and everything in between.  We will be back there again next spring.


 


 


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Glenn Beasley Fine Art and Portraiture

12/2/12

glenn beasley fine art and portraiture blog
Welcome to my website.  As you can tell my art revolves around portraiture. I work exclusively in oils for my paintings and prefer a mixture of graphite and carbon pencil/charcoal for drawings.  Recently Karen and I purchased a new camera, a Canon T3i to aid in taking reference photos for my work as well as for Karen's artwork with flowers. It is such a fantastic camera that I am tempted to retake the photos of some of my artwork that we still have available, but that is for another time.  The quality of the pictures got me to thinking about an age old debate: photography vs. painting/drawing....camera vs. artist.   Great photography requires talent, skill, great equipment, and lots of time and effort. Notice I said GREAT photography as in professional or top amateur. Mastering the nuances of the equipment itself, composing the shot or capturing what nature gives you and manipulating the light is way beyond what most people think of as photography when they shoot a snapshot with their phone or point and shoot camera. Not that it’s impossible to make a great shot with limited knowledge and equipment but it becomes more difficult to achieve stellar results. In short, it requires EFFORT. Same as painting or drawing or sculpting or any other artwork done by hand. That’s why I have great respect and admiration for those that achieve outstanding results in any field of expression. So why bother with painting and drawing when so much can be done by equipment, i.e. camera, computer etc...? Let me ask you, how many people do you personally know that have a hand painted or hand drawn work of art in their home, let alone a portrait of themselves, their spouse, child, grandchild or parents? Not many I’m sure. Because artwork created by human hand is unique. A top notch photographer can produce exciting portrait work but an excellent true to life portrait in oil created with thousands of brushstrokes by human hand still has a charm and quality that are unmatched by anything produced by a printer no matter what the quality it is. To me, each have earned their own place at the table of the visual arts, both painter and photographer. 
      To me the camera is simply a tool. Like an extra brush or maul stick. Ideally I like to use photos for reference and combine the best of both worlds: photo and life. Use the photo for the convenience and life to get it right. However that is not always possible with portrait work for the average client. Life and distance and time get in the way. Therefore I try to make the painting true to the photo and then 'enhance' it in anyway I can  to make it even more lifelike and not strictly a copy of the shot. This requires a lot of judgment and observation to pull it off. I like to think of it as Photoshop with a brush.  A real brush.

 




 


 


 

 


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Great work as usual Glenn!!! You are truly talented and I am grateful to have seen your work in person. Good luck with your art!!
-- Connie Lovett, 2/5/13

 classical portraits, still life and historical artwork in oil, graphite and charcoal


 Glenn Alan BeasleySherwood, AR5015900355

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